"Mirror Image" (Poisoned Pen Press) now at your bookseller's.
Wednesday, October 13, 2010
Bouchercon Appearances This Weekend!
Monday, October 4, 2010
BOOKLIST Review of MIRROR IMAGE
Palumbo, Dennis (Author)
Aug 2010. 334 p. Poisoned Pen, hardcover, $24.95. (9781590587508). Poisoned Pen, softcover, $14.95. (9781590587522).
— David Pitt
Saturday, September 18, 2010
FYI: My latest Huffington Post blog
Wednesday, September 15, 2010
FYI: My latest Huffington Post blog
Monday, September 13, 2010
FYI: Another MIRROR IMAGE review
Friday, September 10, 2010
FYI: NEW Huffington Post piece
Sunday, September 5, 2010
FYI: Nice new review of MIRROR IMAGE
Wednesday, September 1, 2010
Here's my latest Huffington Post Blog
Thursday, August 26, 2010
New Review of MIRROR IMAGE in Pittsburgh Magazine
Thursday, August 12, 2010
"BETWEEN THE LINES" Appearance
LOS ANGELES
KLCS-TV – www.klcs.org
Saturday Night, August 14, at 8:00 PM
Dennis Palumbo - Writing from the Inside Out
Breaking through creative barriers is what this episode is all about. Dennis Palumbo co-wrote the critically acclaimed, Oscar nominated film, My Favorite Year and just published his first mystery novel Mirror Image. But it is his years as a psychotherapist, specializing in the creative process, which brings him to our program.
With his acclaimed book, Writing from the Inside Out, Dennis reveals that you already have everything you need within yourself to create your best work. Keep in mind that this book is not just for writers, but for anyone from artists to teachers and from lawyers to plumbers, who may get caught up fighting emotional wedges no matter what career or journey they are on.
In Writing from the Inside Out, Dennis shows how to transform those psychological blocks to free the creativity within us.
Sunday, August 1, 2010
My Appearance on "Suspense Your Disbelief"
Thursday, July 29, 2010
MIRROR IMAGE On Sale Next Week!
"Dennis Palumbo establishes himself as a master story-teller with his first crime novel, Mirror Image. Using his background as a licensed psychotherapist to good advantage, Palumbo infuses his fast-moving, suspenseful story with fascinating texture, interesting characters, and the twists, turns and surprises of a mind-bending mystery. Very impressive."
---Stephen J. Cannell (writer/creator of The Rockford Files; New York Times best-selling mystery author)
"Mirror Image is a rich, complex thriller, built around a sizzling love affair. A compelling read, with surprising twists and characters that leap off the page."
---Bobby Moresco (Oscar-winning writer/producer of Crash and Million Dollar Baby)
"Mirror Image is a deviously plotted thriller with lots of shocks and surprises you won't see coming, and a smart, sympathetic hero-narrator who takes you along as he peels back layers of lies and wrong guesses to get closer to the truth."
---Thomas Perry (Edgar-winning, New York Times best-selling crime novelist)
"Dennis Palumbo's experience as a psychotherapist hasn't just helped him make his hero, therapist Dr. Daniel Rinaldi, authentic, human and a man in full, it's endowed him with the insight to craft a debut thriller filled with action, deduction and romance, expertly paced for maximum suspense."
---Dick Lochte, award-winning author and critic
"Dennis Palumbo's novel is stark and disturbing but there's a humanity running through the core of it that makes this book special. Maybe it's Palumbo's dual training – as a writer and as a psychotherapist – that allows him to plumb the depths and bring up not only darkness but those occasional diamonds of light that sparkle and illuminate and make a book worth reading."
---T. Jefferson Parker (Edgar-winning, New York Times best-selling author of The Renegades and
"Mirror Image is a standout mind-bender! A wonderfully constructed novel that has you seeing double---and all through the eyes of an intriguingly fresh character: a psychologist. Dennis Palumbo knows his craft. This guy can write."
---Ridley Pearson (New York Times best-selling crime author)
"A gripping thriller, chock full of the desired twists and cliffhangers, with the added layer and intriguing access of a therapist narrator/detective. A page turner!"
---Aimee Bender (New York Times best-selling author of An Invisible Sign of My Own)
Thursday, June 24, 2010
My Latest Column for "In Cold Blog"
Thursday, May 27, 2010
Simple, But Not Easy
Tuesday, April 27, 2010
Writing is Easy!
Thursday, April 22, 2010
New Zealand Interview
Wednesday, April 21, 2010
Tuesday, April 20, 2010
Better Late Than Never!
However, to my pleasant surprise, this review of the book just appeared. If anyone's interested, here's the link:
Click here: From Crime to Crime: Mind-boggling Tales of Mystery and Murder Reviewed By Lois Henderson of Bookpleasures.com
I also want to thank those of you who attended my mystery-writing workshop this past Saturday afternoon at Vroman's Bookstore. As always, I was struck by the thoughtful, perceptive questions the attendees asked. Really made it a great experience.
And,of course, I'll keep you posted about the next one...
Friday, April 9, 2010
Taking the Mystery Out of Writing Mysteries
Tuesday, April 6, 2010
My Favorite Quote
But in the cacophony of instruction and inspiration competing for the writer's ear, it seems to me a quote from Ray Bradbury emerges from the din. "There is only one type of story in the world--your story."
In all the writing classes I've ever taught, it was always the first quote I put on the blackboard. And now, as a therapist, the essence of that quote is what underlies my support for creative patients struggling to write out of the depths of their own particular truths, no matter how painful or contradictory.
I recall an incident, years ago, when I was Screenwriter-In-Residence at San Francisco State University. I was working with a group of young writers-to-be, one of whom had just read a scene from his script, a political thriller, to the rest of the class. Unfortunately, the scene--in which the hero is trapped by bad guys in a dingy back alley--was flat and uninvolving, though the writer clearly had talent. Moreover, the writing itself seemed tentative...careful, somehow.
I asked the writer what would happen if, instead of his hero, he himself were the guy trapped in that alley.
"You mean, if that were me?" He suddenly became quite animated, as he described the sequence of scary, funny incidents that would befall him. A scene that was unique and particular to a very specific sort of individual--a guy like himself. A human being.
"But this guy's gotta be a hero," he said afterwards. "Like in the movies."
"He is," I replied. "Your hero."
The problem with this student's scene was his attempt to portray what a hero "should" be like. The writing seemed tentative as a result of the tension within him caused by the effort to exclude his own feelings, doubts, and impulses, as though they were inappropriate for a movie hero.
The irony--and the point of Bradbury's quote--is that all writing is autobiographical. Even the student's attempt to write a hero "like in the movies" revealed an aspect of his autobiography, namely, his belief about how a hero needed to behave.
Like it or not, our writing reveals who we are. The story doesn't matter. The genre doesn't matter. Even if you're writing a pirate movie, taking place two hundred years ago, your autobiography informs that script: your own attitude toward heroics, vague memories of some pirate movie you saw as a kid, your fantasies about the "freedom of the seas" or whatever. Even your concern about whether or not your pirate movie is commercial is part of your experience writing it.
On the plus side, it's one of the paradoxes of writing that the more particular and personal a detail in character or story, the more powerfully its impact generalizes out to the audience.
(The specifics of Rocky Balboa's life in the first Rocky film were shared by few in the audience, I'm sure, but everyone understood what he meant by "going the distance." Nor did the reader of Frank McCourt's memoir Angela's Ashes have to grow up in the slums of Dublin to relate to that family's struggle with poverty. Nor did the viewers of the recent film The Blind Side need to have had any life experiences similar to those of the young black athlete to identify with the yearning for someone to appear who believes in you, even when you don't.)
I repeat: All writing is autobiographical. The more you can accept and acknowledge this, the greater the extent to which you can mine your own feelings and experiences to give shape and texture to your work.
Of course, to write from this place, the core of who we are, is damned hard. Often the results are just painful, ambiguous, unformed. Maybe there's something wrong with me, the writer thinks. Maybe I'm not enough...
That's why writing seminars and workshops flourish; why "how-to" books on writing are perennial sellers. Intentionally or not, they validate our belief in some "key" or technique that ensures success; some thing outside of ourselves that we need to learn, or to become.
And, yes, every writer needs to learn story construction, needs to develop craft. But the most important thing a writer needs is the awareness that he or she is enough. That one's feelings, enthusiasms, regrets, hopes, doubts, yearnings, loves and hates are in fact, the raw materials of one's writing talent.
"There is only one type of story in the world--your story." Which means only you can tell it, no matter what form--thriller, romantic comedy, sci-fi adventure--it takes.
It reminds me of another quote I like, from Ralph Waldo Emerson, a pretty fair writer himself. He said, "To believe that what is true for you in your private heart is true for everyone--that is genius."